Dick’s Do Androids Dream of Electric Sheep? about human-looking androids, using them as the raw material for a haunting urban future-noir that owes more to visual artists like Moebius and Antonio Sant’Elia than it does to Dick himself.
Ridley Scott’s Blade Runner simply mines some of the concepts from Phillip K. Strip away the Art Deco glory of its towering cityscapes and factories and the synchronized movements of those who move through those environments and what’s left? It’s no accident that some of the greatest adaptations of sci-fi novels bear only a passing resemblance to their source material. Metropolis, Fritz Lang’s visionary depiction of a near-future dystopia, is almost impossible to imagine as a work of prose fiction. If Ballard’s view of science-fiction cinema was highly uncharitable and, as demonstrated by some of the imaginative and mind-expanding films below, essentially off-base, he nevertheless touched on a significant point: that literary and cinematic sci-fi are two fundamentally different art forms. Ballard about George Lucas’s Star Wars in a 1977 piece for Time Out. cinema has been notoriously prone to cycles of exploitation and neglect, unsatisfactory mergings with horror films, thrillers, environmental and disaster movies.” So wrote J.G. The film has never really been more than an offshoot of its literary precursor, which to date has provided all the ideas, themes and inventiveness.
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